Pompous and self-absorbed Kyle, is unhappily stuck in his life, longing to relive the success of his first novel. His not-so-desirable life rapidly unravels forcing him to return home to his wildly eccentric family with his tail between his legs. Life at home begins to show signs of improvement when Kyle meets the spunky, vivacious girl across the street who recruits Kyle to help her make the world a better place, making him feel alive for the first time in ages and inspiring his writing. But its short-lived. Joys been told shes going to die soon and wants Kyle to write her obituary.

A shy high school student's Christmas wish comes true only it isn't exactly as wonderful as she'd hoped.

Danny is about to ask his girlfriend in marriage when he finds out he was betrayed by his best friend and makes a decision to settle everything.

Writes Schneemann: "Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Photographer and Director Robert Ascroft envisions the inner struggle of working with an Anger Management Therapist. Realized through the eyes of two time Academy Award winner Christoph Waltz.

In November 1942, American troops landed in Tunisia. German paratroopers were immediately launched and occupied Tunis. A French squadron of chasseurs d'Afrique was sent to Medjez-el Bab with the mission of occupying the bridge over the Medjerda. But the captain is mute and the cavalrymen don't know whether the operation is being prepared against the Germans or the Allies. The first hypothesis inflames Maréchal des Logis Bourgeon and his friend Maurice, who have not forgotten the defeat of '40. In the village, Maurice meets up with his friend Léa, a refugee, and discovers with fury that she is Jewish, because he doesn't like Jews any more than he likes English or Germans! The hunters set up camp on the bridge. Soon, a German column appears and demands passage. The captain refuses, awaiting orders from Vichy. But in Tunis, confusion reigns. Finally, the captain himself takes the initiative to oppose the passage of the German troops...

Tom Service takes a cinematic journey through Russia on the musical trail of that Romantic giant, Sergei Rachmaninoff. Via Moscow, St Petersburg, Novgorod, Tambov (and Senar in Switzerland), Tom chronicles a classic tale of right man, wrong time. 　　Born in Russia in 1873 and dying in America in 1943, not only did Rachmaninoff weather the false accusation that he was an anachronism who wrote sentimental, gushing Romanticism in a firmly modern century, his life intersected with one of the darkest periods in Russian history - Revolution, Civil War and two World Wars. 　　Yet, from the world-famous Second Piano Concerto in C Minor to the chocolate box 18th variation from the Rhapsody on a Theme of Paganini, time and time again the melodious yet melancholic wonderment of this unstarry, aristocratic Russian has touched the collective unconscious, and The Joy Of Rachmaninoff celebrates our love affair with this passionate, dark and tremendously popular composer. 　　Tom visits key locations in Russia that informed Rachmaninoff’s artistic life - from the beautiful, throaty sound of the bells of St Sophia’s Cathedral Novgorod to the breath-taking endless steppe of Ivanovka (pictured), his Russian estate in Tambov Oblast. 　　Tom also gains rare access to Rachmaninoff’s bespoke Swiss villa ‘Senar’ on the banks of Lake Lucerne, and hears the famous 18th Paganini Variation played on the piano on which it was written. With respected Rachmaninoff scholar Geoffrey Norris, Tom also gets to grips with the original scores of the Second Piano Concerto and C Sharp Minor Prelude in Moscow. 　　The film also brings to life key moments in Rachmaninoff’s career, from the abortive premier of his First Symphony to a disastrous meeting in Moscow with that giant of Russian literature, Leo Tolstoy, and his hurried and final departure from Russia in 1917, fleeing the perils of Bolshevism - moments that led to self-doubt and depression for the composer. 　　Tom also explores how Rachmaninoff invoked a melancholia in his work that suggests an almost prophetic ability: how in his music you might hear an expectation of great tragedy that would characterise the Russian 20th century. 　　With specially shot performances (including Vespers 1,5 & 6, extracts from the piano concerti, C Sharp Minor Prelude and Cello Sonata) and contributions from great musicians including Vladimir Ashkenazy, Denis Matsuev, Steven Isserlis, Lucy Parham, Alexander Vinogradov, Iain Burnside, James Rhodes, Stephen Hough and Vladimir Jurowski.

A secret royal inspector works as an undercover official who inspects local provinces to expose corruption. He teams up with a lady who is searching for happiness by getting divorced with her current husband. The duo then go on a grand scheme to discover the truth and find corruptions.

Ally, inherits Timeless Tidings, a shop her grandmother, Joy, opened in the 1940s to sell her handmade letter-press tidings. The shop was a labor of love, service, and sacrifice throughout the decades for Joy. Ally always saw Joy’s sacrifices for the shop as a burden on Joy’s life and happiness. When Ally returns to the shop to prepare it for sale, she meets Bennett, an old soul, who wants to preserve her Grandma Joy’s legacy. As Ally and Bennett navigate the next steps, divine intervention forces them both to take a new, or rather old look at the fate of the shop and themselves.